October 11th, 2010 | Author: admin
Tortoise Metal
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Eurofase 13647-018 Prestige Candlestick, Medium, Tortoise $17.10 ... |
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US $7.99
A few months after the death of Richelieu, Louis XIII died, leaving his five-year-old son of Louis XIV to rule for seventy-two years, first under the Mazarin security system, and later as an absolute monarch. With its succession and under the continuing influence of his long reign of all the arts flourished in an extraordinary degree. Le Roy Soldi ruled with an unknown greatness, and the state since the days of the Roman Empire. Colbert, minister of his power, brought together artists and artisans together and housed in the Louvre, under the royal patronage.
Early in his reign the king had decided to make his court more beautiful in Europe and France, the center of the culture modern world. To achieve this purpose appointed their minister Le Brun of Fine Arts. Le Brun took over some of the best manufacturers in France, came under government control and support from state funds.
Among these were the Gobelins, Beauvais, Aubusson and Savonnerie tapestries and looms where floor coverings often placed front of the fireplace doors made, and the Sevres porcelain factory. He also established the National School of Fine Arts (Ecole des Beaux Arts), which is still under the control of the French government and receives students from all over the world, offering free education in architecture, painting, sculpture and prints.
Jules Mansart was named royal architect and commissioned to build the great palace of Versailles, one of the most beautiful buildings and largest ever built. The cost of this structure alone was so expensive that is said to have sown the seeds of the French Revolution.
The palace was designed not only to provide housing for the vast entourage king, but the huge rooms are planned to entertain thousands of people in the splendor real. Although the building was virtually stripped of all its furniture in revolution and has undergone many changes since then, enough of its original furniture still remains to be the best surviving example of the time of Louis XIV.
The most typical feature of the interior architecture of this style was the enormity of the room itself and the massiveness of the architectural details and furniture that was in them, right up to the rails of the wooden bar. The orders were used widely and were strictly classical proportions, despite ornamentation was quite original.
Panels was big and strong. The main structural lines of the panels were straight and square, but very ornament was used. A general frieze ran around the room, the panels above it ran up a cornice ornamented. Generally, the colors used were a cream background and trim golden oak despite natural and painted other colors were also used.
elaborate wood carving is widely used. Fires were visible, openings and chimney breast elaborate treaties. The built-in fireplaces excess paint on the walls, mirrors and minor rooms. The doors were paneled, carved, painted and gilded. The floors are parquet or marble tiling and flat roofs often in small rooms.
Le Brun manufacturer designated as head of the cabinet to the King, Boulle (also Boule and Buhl spelled), with the possible exception of Chippendale had a greater influence on the development of furniture than any other man. Boulle is known as having popularized the use of metal brackets (Ormolu) in the decoration of furniture. It is also famous for his use of the tortoise shell and metal inlay. By cutting two layers of metal shell sheet in a pattern of development jigsaw, alternating metal and shell in the implementation of as doorknobs and cabinet furniture panels.
Boulle uses a variety of wood. Ebony was one of his favorites, but, oak, walnut, tulip rel = "nofollow" href = "http://www.ferche.com/"> rosette corner blocks of wood, rosewood and other woods were also used more expensive. Many of his students later became well known carpenters. Among them were Levasseur, Jacob, and Oeben. The furniture of this period was generally the main lines and rectangular prevailed. The chairs were reinforced often heavy stretchers between the legs.
Later became curvilinear furniture in the structure and ornament. It was elaborately carved, painted and gold, with small pied-de-Biche, dolphin head, spirals, round, or square feet. The pieces were numerous, the couch, dresser, closet and desk were developed finely. Excellent Aubusson tapestry, embroidery, needlework, damask, velvet and leather whips big imagined were used. Metal frames were works of art brass or ormolu. Everything was formal, elegant and sumptuous.
Sarah Martin is a freelance marketing writer based out of San Diego, CA. She specializes in the history of interior design, home improvement, and hardwood moulding. For the best in the industry in wooden bar rails and rosette wood corner blocks please visit http://www.ferche.com/.
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